Hi,
Answering the questions by Claus, I condensed his code down to the
following
example. Why doesn't LilyPond consider placing the rest in the middle of
the
stave between the upper and lower notes? There's plenty of space for the
rest,
and as can be seen in the third beat, this is the solution you get if
you have two
simultaneous rests instead of a rest and a note. Also, why isn't the
fourth beat
symmetric to the second, which I would have expected it to be?
I realize this is a low priority feature request, but still think it's
good to have
it in the records.
\version "2.11.25"
\score{
\relative c''' \new Staff <<
{c c c r } \\
{ c,, c r c } \\
{\oneVoice r8 c' r c r c r c}
>>
}
/Mats