\version "2.16.2"
% automatically converted by musicxml2ly from /home/maria/Documentos/MuseScore2/Partituras/Rêverie.xml

\header {
  encodingsoftware = "MuseScore 2.0.2"
  encodingdate = "2016-04-03"
  composer = "Angelina Kolb Ayala"
  title = "Rêverie"
}

#(set-global-staff-size 20.0762645669)
\paper {
  paper-width = 21.01\cm
  paper-height = 29.69\cm
  top-margin = 1.0\cm
  bottom-margin = 2.0\cm
  left-margin = 0.5\cm
  right-margin = 0.5\cm
}
\layout {
  \context {
    \Score
    skipBars = ##t
    autoBeaming = ##f
  }
}
PartPOneVoiceOne =  {
  \clef "treble" \key es \major \time 3/4 \partial 2 r4 bes'4 \mf
  ^"Andantino." ^"dolce." | % 1
  bes'2 ( g'8. [ f'16 ] | % 2
  bes'2 g'8. [ f'16 ) ] | % 3
  <bes es' g' bes'>4 ( <bes' es'' bes''>2 | % 4
  <as' bes' d'' bes''>2 <as' bes' d'' bes''>4 ) \break | % 5
  bes'2 ( g'8. ) [ f'16 ] | % 6
  bes'2 b'4 | % 7
  <es' c''>4 <as' bes' d'' g''>4 <as' bes' d''>4 | % 8
  \clef "bass" <g bes es'>4 r2 | % 9
  \clef "treble" bes'2 g'8. [ f'16 ] \break | \barNumberCheck #10
  bes'2 g'8. [ f'16 ] | % 11
  <bes es' g' bes'>4 ( <bes' es'' bes''>2 | % 12
  <as' bes' d'' bes''>2 <as' bes' d'' bes''>4 ) | % 13
  bes'2 g'8. [ f'16 ] | % 14
  <ces' es' as' ces''>2 g'8. [ f'16 ] \break | % 15
  <b e' gis' b'>2 _"dolce." ( <a b fis'>8. [ b'16 ] | % 16
  <b e' gis' b'>2 ) <a b fis'>8. [ b'16 ] | % 17
  r8 <b e' gis' b'>8 ( b'4 ) b'4 | % 18
  <d' g' b' d''>2 <c' d' a'>8. [ d''16 ] | % 19
  <d' g' b' d''>2 ( <c' d' a'>8. [ d''16 ) ] \break | \barNumberCheck
  #20
  r8 <d' g' b' d''>8 ( d''4 ) d''4 | % 21
  e'8 \rest <d' fis' b' d''>8 ( d''2 ) | % 22
  <d' fis' b' d''>2 a'4 | % 23
  <d' g' b' d''>2 <d'' d'''>4 | % 24
  <d' g' b' d''>2 <d'' d'''>4 \pageBreak | % 25
  <b' e'' g'' b''>2 <a' b' fis''>8. [ b''16 ] | % 26
  <b' e'' g'' b''>2 <a' b' fis''>8. [ b''16 ] | % 27
  es''2 ( fis''8. ) [ g''16 ] | % 28
  fis''8 [ es''8 d''8 c''8 b'8 a'8 ] \break | % 29
  e''2 ( fis''8. ) [ g''16 ] | \barNumberCheck #30
  fis''8 [ es''8 d''8 c''8 b'8 a'8 ] | % 31
  a''2 ( b''8. ) [ c'''16 ] | % 32
  b''8 [ a''8 g''8 fis''8 e''8 dis''8 ] \break | % 33
  dis'''8 ( [ c'''8 b''8 a''8 g''8 fis''8 ] | % 34
  fis'''8 [ e'''8 ) dis'''8 c'''8 b''8 a''8 ] | % 35
  \ottava #1 | % 35
  a'''8 ( [ \ottava #0 g''8 fis''8 e''8 fis''8 g''8 ] | % 36
  a''8 [ g''8 fis''8 e''8 fis''8 g''8 ) ] \break | % 37
  \ottava #1 | % 37
  as'''8 ( [ \ottava #0 b''8 c'''8 b''8 as''8 g''8 ] | % 38
  fis''8 [ g''8 a''8 g''8 fis''8 e''8 ) ] | % 39
  dis'''8 ( [ e'''8 ) dis'''8 c'''8 b''8 a''8 ] | \barNumberCheck #40
  a''8 [ b''8 c'''8 b''8 a''8 g''8 ] \break | % 41
  f''8 ( [ g''8 a''8 g''8 f''8 e''8 ] | % 42
  dis''8 [ e''8 dis''8 c''8 bes'8 a'8 ) ] | % 43
  R2. | % 44
  b2 ^\markup{ \italic {lento.} } \trill \grace { ais16 ( [ b16 ) ] }
  c'4 \trill | % 45
  \grace { bes16 ( [ c'16 ) ] } dis'2 \trill \grace {
    cis'16 [ dis'16
    ( ]
  } g'8. ^\fermata [ fis'16 ) ] \pageBreak | % 46
  <a' b' dis'' fis''>4 ^\markup{ \italic {a tempo.} } <g' b' e''>8 ( [
  <f' a' dis''>8 ) ] <f' a' dis''>4 | % 47
  <c'' dis'' fis'' a''>4 <b' dis'' g''>8 ( [ <as' c'' fis''>8 ) ] <as'
  c'' fis''>4 <dis'' fis'' c'''>4 <dis'' fis'' b''>8 ( [ <dis''
  fis'' a''>8 ) ] <dis'' fis'' a''>4 | % 49
  <fis'' b'' dis'''>2 r4 <e' gis' d''>4 <e' gis' c''>8 ( [ <e' gis'
  b'>8 ) ] <e' gis' b'>4 \break | % 51
  <gis' b' f''>4 <gis' b' es''>8 ( [ <gis' b' d''>8 ) ] <gis' b' d''>4
  <e'' g'' dis'''>4 <e'' g'' c'''>8 ( [ <e'' g'' bes''>8 ) ] <e'' g''
  bes''>4 | % 53
  <gis'' b'' f'''>2 r4 | % 54
  <fis' g' d''>2. ^\markup{ \italic {piu lento.} } | % 55
  <gis' b' f''>2 r4 | % 56
  <fis' g' d''>2. \break | % 57
  <gis' b' f''>2 r4 | % 58
  <gis' b' d''>2 ( f''4 ) -. | % 59
  <gis' b' d''>2 ( f''4 ) -. | \barNumberCheck #60
  <gis' b' d''>2. | % 61
  f''2. | % 62
  <f'' as'' c''' f'''>4 \ff <es'' es'''>8 ( [ <des'' des'''>8 ] <des''
  des'''>4 ) \break | % 63
  <c'' c'''>8 ( [ <bes' bes''>8 ] <bes' bes''>4 ) as''8 [ g''8 ] | % 64
  <f'' as'' bes'' f'''>4 \f <f'' as'' bes'' es'''>8 ( [ <f'' as''
  bes'' d'''>8 ] <f'' as'' bes'' d'''>4 ) | % 65
  <f'' as'' c'''>8 ( [ <f'' as'' bes''>8 ] <f'' as'' bes''>2 ) | % 66
  <ces'' ces'''>4. \p ( bes'8 g''8. [ f''16 ] | % 67
  ces''4. bes'8 g''8. [ f''16 ) ] \break | % 68
  ces''4. ( bes'8 ces''8. ) [ bes'16 ] | % 69
  \grace { ces''16 } bes'2. _\markup{ \italic {rit:} } \trill |
  \barNumberCheck #70
  bes'2 ^\markup{ \italic {a tempo.} } ( g'8. [ f'16 ] | % 71
  bes'2 g'8. [ f'16 ) ] | % 72
  <bes es' g' bes'>4 ( <bes' es'' bes''>2 \pageBreak | % 73
  <as' bes' d'' bes''>2 <as' bes' d'' bes''>4 ) | % 74
  bes'2 ( g'8. ) [ f'16 ] | % 75
  bes'2 b'4 | % 76
  <es' c''>4 ( <as' bes' d'' g''>4 ) <as' bes' d''>4 | % 77
  \clef "bass" <g bes es'>4 r2 \break | % 78
  <as bes d' bes'>2. | % 79
  <as bes d' bes'>2 g'8. ( [ f'16 ) ] | \barNumberCheck #80
  <bes es' g' bes'>2. | % 81
  <bes es' g' bes'>2 f'8. ( [ es'16 ) ] | % 82
  <as' bes' d'' bes''>2. \break | % 83
  <as' bes' d'' bes''>2. es'''2 c'''8. [ bes''16 ] | % 85
  es'''2. | % 86
  \ottava #1 | % 86
  <bes'' es''' g'''>4 r2 es''8 c'''8 [ bes''8 ] g''8 [ es''8 ] c''8
  \break | % 88
  bes'8 ( g'8 ) [ es'8 ] c'8 [ bes8 ] r8 | % 89
  R2.*2 | % 91
  <bes es' g' bes'>2. | % 92
  <bes es' g' bes'>2. | % 93
  <bes es' g' bes'>2. ( | % 94
  <bes es' g' bes'>2. ) \bar "|."
}

PartPOneVoiceThree =  {
  \clef "treble" \key es \major \time 3/4 \partial 2 s4 s4*13 \mf
  ^"Andantino." ^"dolce." \break s4*9 | % 8
  \clef "bass" s2. | % 9
  \clef "treble" s2. \break s4*15 \break | % 15
  s4*7 _"dolce." e'2 s1. \break s4 g'2 s4 fis'8 [ e'16 d'16 ] cis'8 [
  d'8 ] s4*9 \pageBreak s1*3 \break s1*3 \break s1. | % 35
  \ottava #1 s8 \ottava #0 s8*11 \break | % 37
  \ottava #1 s8 \ottava #0 s8*23 \break s4*9 | % 44
  s1. ^\markup{ \italic {lento.} } \pageBreak | % 46
  s4*15 ^\markup{ \italic {a tempo.} } \break s4*9 | % 54
  s4*9 ^\markup{ \italic {piu lento.} } \break s4*15 | % 62
  s2. \ff \break s2. | % 64
  s1. \f | % 66
  s1. \p \break s2. | % 69
  s2. _\markup{ \italic {rit:} } | \barNumberCheck #70
  s4*9 ^\markup{ \italic {a tempo.} } \pageBreak s1*3 | % 77
  \clef "bass" s2. \break s4*15 \break s4*9 | % 86
  \ottava #1 s1. \break s4*21 \bar "|."
}

PartPOneVoiceTwo =  {
  \clef "treble" \key es \major \time 3/4 \partial 2 s4 s4 \mf
  ^"Andantino." ^"dolce." | % 1
  bes'8 [ bes8 b8 c'8 cis'8 d'8 ] | % 2
  bes'8 [ bes8 b8 c'8 cis'8 d'8 ] s1. \break | % 5
  bes'8 [ bes8 b8 c'8 cis'8 d'8 ] | % 6
  bes'8 [ bes8 b8 c'8 cis'8 d'8 ] s2. | % 8
  \clef "bass" s2. | % 9
  \clef "treble" bes'8 [ bes8 b8 c'8 cis'8 d'8 ] \break |
  \barNumberCheck #10
  bes'8 [ bes8 b8 c'8 cis'8 d'8 ] s1. | % 13
  bes'8 [ bes8 b8 c'8 cis'8 d'8 ] s2. \break | % 15
  s4*7 _"dolce." gis'2 | % 18
  R2. s2. \break s4 b'2 s4 b'4 a'4 s4*9 \pageBreak s1. | % 27
  es''8 [ es'8 fis'8 g'8 ( ] g'4 ) s2. \break | % 29
  e''8 [ es'8 fis'8 g'8 ( ] g'4 ) s2. | % 31
  a''8 [ as'8 b'8 c''8 ( ] c''4 ) s2. \break s1. | % 35
  \ottava #1 s8 \ottava #0 s8*11 \break | % 37
  \ottava #1 s8 \ottava #0 s8*23 \break s1. | % 43
  g'8 ( [ fis'8 e'8 dis'8 c'8 b8 ) ] | % 44
  s1. ^\markup{ \italic {lento.} } \pageBreak | % 46
  s4*15 ^\markup{ \italic {a tempo.} } \break s4*9 | % 54
  s4*9 ^\markup{ \italic {piu lento.} } \break s4*15 | % 62
  s2. \ff \break s2. | % 64
  s1. \f | % 66
  s1. \p \break s2. | % 69
  s2. _\markup{ \italic {rit:} } | \barNumberCheck #70
  bes'8 ^\markup{ \italic {a tempo.} } [ bes8 b8 c'8 cis'8 d'8 ] | % 71
  bes'8 [ bes8 b8 c'8 cis'8 d'8 ] s2. \pageBreak s2. | % 74
  bes'8 [ bes8 b8 c'8 cis'8 d'8 ] | % 75
  bes'8 [ bes8 b8 c'8 cis'8 d'8 ] s2. | % 77
  \clef "bass" s2. \break s4*15 \break s2. es''8 ( [ e''8 ) f''8 fis''8
  ] g''4 | % 85
  es''8 f''4 g''4 as''8 | % 86
  \ottava #1 | % 86
  bes'''4. c''''8 bes'''8 g'''8 s2. \break s4*21 \bar "|."
}

PartPOneVoiceFive =  {
  \clef "bass" \key es \major \time 3/4 \partial 2 r2 | % 1
  g2 ^"legato." bes8 [ as8 ] | % 2
  g2 bes8 [ as8 ] | % 3
  <bes, g>8 [ g'8 f'8 es'8 d'8. es'16 ] | % 4
  as8 \< ( [ bes8 c'8 g'8 g'8. f'16 ) ] \break | % 5
  g2 \p bes8 [ as8 ] | % 6
  g2 bes4 | % 7
  as8 \> ( [ c'8 d'8 g'8 g'8. f'16 ) ] | % 8
  as8 \p ( [ as8 ) g8 f8 es8 d8 ] | % 9
  g2 \pp bes8 [ as8 ] \break | \barNumberCheck #10
  g2 bes8 [ as8 ] | % 11
  g8 [ g'8 f'8 es'8 d'8. es'16 ] | % 12
  as8 \< ( [ bes8 c'8 g'8 g'8. f'16 ) ] | % 13
  g2 \p g4 | % 14
  as8 ( [ as8 ) g8 f8 es8 d8 ] \break | % 15
  gis8 [ gis8 fis8 e8 dis8. b,16 ] | % 16
  gis8 [ gis8 fis8 e8 dis8. b,16 ] | % 17
  <e, b, gis>2. \< | % 18
  b8 \! [ b8 a8 g8 fis8. d16 ] | % 19
  b8 \mf [ b8 a8 g8 fis8. d16 ] \break | \barNumberCheck #20
  <g, d g b>2. | % 21
  <d fis c'>2. \> ( | % 22
  <d fis c'>2. \! ) | % 23
  bes2 \p bes8. [ a16 ] | % 24
  bes2 bes8. [ a16 ] \pageBreak | % 25
  b2 \mf g8. [ fis16 ] | % 26
  b2 \f g8. [ fis16 ] | % 27
  <a, e c'>2. ^"dolciss:" | % 28
  <a, e c'>2. _"cres - - - - - - - -" \break | % 29
  <a, e c'>2. _"- - cen - - - - - - - - - - - - - - - do - - e - - - -
    - - affre - tan - - - - - - - - - - - do" | \barNumberCheck #30
  <a, e c'>2. | % 31
  <a, e c'>2. | % 32
  <a, e c'>2. \break | % 33
  <b fis' a'>2 _"- poco - - - - a - - - - - - poco." e'8. [ dis'16 ] | % 34
  <b fis' a'>2 g'8. \< [ fis'16 \! ] | % 35
  <dis' a' c''>2 b'8. [ a'16 ] | % 36
  <dis' a' c''>2 b'8. [ a'16 ] \break | % 37
  <dis' a' c''>2. \< | % 38
  dis''4 \! \ff r2 | % 39
  c''4 r2 | \barNumberCheck #40
  <b fis' b'>2. \> \break | % 41
  dis'4 \! \> r2 \! | % 42
  b4 r2 | % 43
  <b, fis a>2 \> r4 \! | % 44
  <b, fis a>2. | % 45
  a2. \pageBreak | % 46
  <fis dis'>4 \p \< g8 \! ( [ a8 ] a4 ) | % 47
  <a fis'>4 b8 ( [ c'8 ] c'4 ) | % 48
  \clef "treble" <dis' c''>4 fis'8 ( [ a'8 ] a'4 ) | % 49
  <dis' a' b'>2 \f r4 | \barNumberCheck #50
  \clef "bass" | \barNumberCheck #50
  e4 \< gis8 \! ( [ b8 ] d'4 ) \break | % 51
  gis4 \< b8 \! ( [ d'8 ] f'4 ) | % 52
  \clef "treble" e'4 gis'8 ( [ b'8 ] d''4 ) | % 53
  <gis' d'' g''>2 \f r4 | % 54
  \clef "bass" <f d'>4 \p c'8 ( [ b8 ) ] b4 -. | % 55
  <gis d' f'>2 \sf r4 | % 56
  <f d'>4 \p c'8 ( [ b8 ) ] b4 -. \break | % 57
  <gis d' f'>2 \sf r4 | % 58
  <f d'>4 \p c'8 _\markup{
    \italic {
      cres - - - - - cen - - - - - - -
      do
    }
  } ( [ b8 ) ] b4 -. | % 59
  <f d'>4 c'8 ( [ b8 ) ] b4 -. | \barNumberCheck #60
  f'8 ( [ d'8 b8 gis8 f8 d8 ) ] | % 61
  b,8 \f ^\markup{ \italic {ritard:} } ( [ gis,8 ) f,8 d,8 bes,,8 g,,8
  ] | % 62
  f,,8 ( [ as,,8 ^\markup{ \italic {a tempo.} } c,8 f,8 as,8 c8 ) ]
  \break | % 63
  f8 ( [ as8 c'8 f'8 ] c'8 [ es'8 ) ] | % 64
  f,,8 ( [ bes,,8 ) d,8 f,8 as,8 bes,8 ] | % 65
  d8 [ f8 as8 bes8 d'8 f'8 ] | % 66
  r8 f8 ( [ as8 d'8 ) ] bes8 r8 | % 67
  r8 f8 ( [ as8 ) d'8 ] bes8 r8 \break | % 68
  f'8 ( [ d'8 ) bes8 as8 f8 d8 ] | % 69
  bes,8 ( [ as,8 f,8 d,8 ) ] bes,,4 | \barNumberCheck #70
  g2 _\markup{ \italic {dolce.} } bes8 [ as8 ] | % 71
  g2 bes8 [ as8 ] | % 72
  g8 ( [ g'8 ) f'8 es'8 d'8. es'16 ] \pageBreak | % 73
  as8 \< ( [ bes8 c'8 g'8 g'8. f'16 ) ] | % 74
  g2 \p bes8 [ as8 ] | % 75
  g2 bes4 | % 76
  as8 \< ( [ c'8 d'8 g'8 g'8. \> f'16 \! ) ] es8 ( [ bes,8 ) a,8 bes,8
  g,8 es,8 ] \break | % 78
  r8 \p bes,4 bes,8 g,8. ( [ f,16 ) ] | % 79
  r8 bes,4 bes,4. | \barNumberCheck #80
  r8 \mf bes,4 bes,8 g,8. ( [ f,16 ) ] | % 81
  r8 bes,4 bes,4. | % 82
  <bes, bes>8 \p \< ( [ c'8 \! cis'8 d'8 g'8. f'16 ) ] \break | % 83
  <bes, bes>8 ^\markup{ \italic {smorz:} } \< ( [ c'8 \! cis'8 d'8 g'8.
  f'16 ) ] | % 84
  \clef "treble" | % 84
  <es' g' des''>2. \mf \> | % 85
  <c' es' as' c''>2. \! | % 86
  <es' bes' es'' g''>2 \p r4 | % 87
  \clef "bass" | % 87
  R2. \break | % 88
  r8 ^\markup{ \italic {per - - - - - - -} } ^\markup{
    \italic {
      den -
      - - - - - - - - - - - - - - - - - - dosi.
    }
  } r8 r8 r8 r8 g8
  [ | % 89
  es8 ] c8 [ bes,8 ] g,8 [ es,8 ] c,8 [ | \barNumberCheck #90
  bes,,8 ] g,,8 f,,4. es,,8 | % 91
  <bes, es g>2. \ppp | % 92
  <bes, as>2. | % 93
  <es, bes, es g>2. | % 94
  es,,2. \ppp \bar "|."
}

PartPOneVoiceFour =  {
  \clef "treble" \key es \major \time 3/4 \partial 2 s4 s4*13 \mf
  ^"Andantino." ^"dolce." \break s4*9 | % 8
  \clef "bass" s2. | % 9
  \clef "treble" s2. \break s4*15 \break | % 15
  s4*7 _"dolce." b2 s1. \break s4 d'2 s4 d'8 a''8 \rest s2*5
  \pageBreak s1*3 \break s1*3 \break s1. | % 35
  \ottava #1 s8 \ottava #0 s8*11 \break | % 37
  \ottava #1 s8 \ottava #0 s8*23 \break s4*9 | % 44
  s1. ^\markup{ \italic {lento.} } \pageBreak | % 46
  s4*15 ^\markup{ \italic {a tempo.} } \break s4*9 | % 54
  s4*9 ^\markup{ \italic {piu lento.} } \break s4*15 | % 62
  s2. \ff \break s2. | % 64
  s1. \f | % 66
  s1. \p \break s2. | % 69
  s2. _\markup{ \italic {rit:} } | \barNumberCheck #70
  s4*9 ^\markup{ \italic {a tempo.} } \pageBreak s1*3 | % 77
  \clef "bass" s2. \break s4*15 \break s4*9 | % 86
  \ottava #1 s1. \break s4*21 \bar "|."
}

PartPOneVoiceSeven =  {
  \clef "bass" \key es \major \time 3/4 \partial 2 s2 | % 1
  es,2. ^"legato." | % 2
  es,2. | % 3
  es,2. ( | % 4
  es,2. \< \break | % 5
  es,2. \p | % 6
  es,2. | % 7
  es,2. \> | % 8
  s2. \p | % 9
  es,2. \pp \break | \barNumberCheck #10
  es,2. | % 11
  es,2. | % 12
  es,2. \< | % 13
  es,2. \p s2. \break | % 15
  e,2. | % 16
  e,2. | % 17
  s2. \< s2. \! | % 19
  s2. \mf \break s2. | % 21
  s2. \> s2. \! | % 23
  g,8 \p r8 r2 | % 24
  g,8 r8 r2 \pageBreak | % 25
  e,8 \mf r8 r2 | % 26
  e,8 \f r8 r2 | % 27
  s2. ^"dolciss:" | % 28
  s2. _"cres - - - - - - - -" \break | % 29
  s1*3 _"- - cen - - - - - - - - - - - - - - - do - - e - - - - - -
    affre - tan - - - - - - - - - - - do" \break | % 33
  s4*5 _"- poco - - - - a - - - - - - poco." s8. \< s16*25 \! \break
  s2. \< | % 38
  s1. \! \ff | \barNumberCheck #40
  s2. \> \break | % 41
  s4 \! \> s4*5 \! | % 43
  s2 \> s1 \! | % 45
  fis2. \pageBreak s4 \p \< s4*5 \! | % 48
  \clef "treble" s2. | % 49
  s2. \f | \barNumberCheck #50
  \clef "bass" | \barNumberCheck #50
  s4 \< s2 \! \break | % 51
  s4 \< s2 \! | % 52
  \clef "treble" s2. | % 53
  s2. \f | % 54
  \clef "bass" s2. \p | % 55
  s2. \sf | % 56
  s2. \p \break | % 57
  s2. \sf | % 58
  s4 \p s1*2 _\markup{ \italic {cres - - - - - cen - - - - - - - do} }
  | % 61
  s8*7 \f ^\markup{ \italic {ritard:} } s8*5 ^\markup{
    \italic {
      a
      tempo.
    }
  } \break s4*15 \break s1. | \barNumberCheck #70
  es,2. _\markup{ \italic {dolce.} } | % 71
  es,2. | % 72
  es,2. \pageBreak | % 73
  es,2. \< | % 74
  es,2. \p | % 75
  es,2. | % 76
  s2 \< s8. \> | % 76
  es,2. \! s16 \break | % 78
  s1. \p | \barNumberCheck #80
  s1. \mf | % 82
  s8 \p \< s8*5 \! \break | % 83
  s8 ^\markup{ \italic {smorz:} } \< s8*5 \! | % 84
  \clef "treble" | % 84
  s2. \mf \> s2. \! s2. \p | % 87
  \clef "bass" | % 87
  s2. ^\markup{ \italic {per - - - - - - -} } \break | % 88
  s4*9 ^\markup{
    \italic {
      den - - - - - - - - - - - - - - - - - - -
      dosi.
    }
  } | % 91
  s4*9 \ppp | % 94
  s2. \ppp \bar "|."
}

PartPOneVoiceSix =  {
  \clef "bass" \key es \major \time 3/4 \partial 2 s2 | % 1
  bes,2. ^"legato." | % 2
  bes,2. | % 3
  r8 r8 r2 | % 4
  bes,2. \< \break | % 5
  bes,2. \p | % 6
  bes,2. | % 7
  c2. \> | % 8
  es,2. \p | % 9
  bes,2. \pp \break | \barNumberCheck #10
  bes,2. | % 11
  bes,8 r8 r2 | % 12
  bes,2. \< | % 13
  bes,2. \p | % 14
  es,2. \break | % 15
  b,2. | % 16
  b,2. | % 17
  s2. \< | % 18
  <g, d g>2. \! | % 19
  <g, d g>2. \mf \break s2. | % 21
  s2. \> s2. \! | % 23
  d8 \p [ d8 dis8 e8 eis8 fis8 ] | % 24
  d8 [ d8 dis8 e8 eis8 fis8 ] \pageBreak | % 25
  b,8 \mf [ b,8 bis,8 cis8 cisis8 dis8 ] | % 26
  b,8 \f [ b,8 bis,8 cis8 cisis8 dis8 ] | % 27
  s2. ^"dolciss:" | % 28
  s2. _"cres - - - - - - - -" \break | % 29
  s1*3 _"- - cen - - - - - - - - - - - - - - - do - - e - - - - - -
    affre - tan - - - - - - - - - - - do" \break | % 33
  s4*5 _"- poco - - - - a - - - - - - poco." s8. \< s16*25 \! \break
  s2. \< | % 38
  s1. \! \ff | \barNumberCheck #40
  s2. \> \break | % 41
  s4 \! \> s4*5 \! | % 43
  s2 \> s1 \! | % 45
  b,4 b,8. [ b,16 ] b,4 \pageBreak s4 \p \< s4*5 \! | % 48
  \clef "treble" s2. | % 49
  s2. \f | \barNumberCheck #50
  \clef "bass" | \barNumberCheck #50
  s4 \< s2 \! \break | % 51
  s4 \< s2 \! | % 52
  \clef "treble" s2. | % 53
  s2. \f | % 54
  \clef "bass" s2. \p | % 55
  s2. \sf | % 56
  s2. \p \break | % 57
  s2. \sf | % 58
  s4 \p s1*2 _\markup{ \italic {cres - - - - - cen - - - - - - - do} }
  | % 61
  s8*7 \f ^\markup{ \italic {ritard:} } s8*5 ^\markup{
    \italic {
      a
      tempo.
    }
  } \break s4*15 \break s1. | \barNumberCheck #70
  bes,2. _\markup{ \italic {dolce.} } | % 71
  bes,2. | % 72
  bes,8 r8 r2 \pageBreak | % 73
  bes,2. \< | % 74
  bes,2. \p | % 75
  bes,2. | % 76
  s2 \< s8. \> | % 76
  c2. \! es,2. \break | % 78
  es,4 \p ( es,4. ) | % 79
  r8 es,2 ( es,8 ) | \barNumberCheck #80
  es,4 \mf ( es,4. ) | % 81
  r8 es,2 ( es,8 ) | % 82
  s16*5 \p \< \! \break | % 83
  s8 ^\markup{ \italic {smorz:} } \< s8*5 \! | % 84
  \clef "treble" | % 84
  s2. \mf \> s2. \! s2. \p | % 87
  \clef "bass" | % 87
  s2. ^\markup{ \italic {per - - - - - - -} } \break | % 88
  s4*9 ^\markup{
    \italic {
      den - - - - - - - - - - - - - - - - - - -
      dosi.
    }
  } | % 91
  s4*9 \ppp | % 94
  s2. \ppp \bar "|."
}


% The score definition
\score {
  <<
    \new PianoStaff <<
      \set PianoStaff.instrumentName = "Piano"
      \set PianoStaff.shortInstrumentName = "Pno."
      \context Staff = "1" <<
        \context Voice = "PartPOneVoiceOne" { \voiceOne \PartPOneVoiceOne }
        \context Voice = "PartPOneVoiceThree" { \voiceTwo \PartPOneVoiceThree }
        \context Voice = "PartPOneVoiceTwo" { \voiceThree \PartPOneVoiceTwo }
        \context Voice = "PartPOneVoiceFour" { \voiceFour \PartPOneVoiceFour }
      >> \context Staff = "2" <<
        \context Voice = "PartPOneVoiceFive" { \voiceOne \PartPOneVoiceFive }
        \context Voice = "PartPOneVoiceSeven" { \voiceTwo \PartPOneVoiceSeven }
        \context Voice = "PartPOneVoiceSix" { \voiceThree \PartPOneVoiceSix }
      >>
    >>

  >>
  \layout {}
  % To create MIDI output, uncomment the following line:
  %  \midi {}
}