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[Emacs-commit] balmy


From: Elinor Buchanan
Subject: [Emacs-commit] balmy
Date: Fri, 18 Aug 2006 12:07:37 +0500

Muntin HOWARDS END, though thrown in largely to amuse us, bring a breath offresh air in with them.
Thereal current of the heros existence took, very likely, a differentcourse.
That is why I have always been soproud to be called highbrow. Thus when the moment of illuminationcomes we accept it implicitly. Lytton Strachey came to birth as an authorat a lucky moment. The widow and the friends were hard taskmasters.
Muntin HOWARDS END, though thrown in largely to amuse us, bring a breath offresh air in with them.
There must be money in teaching and inwriting books about Shakespeare. We feel simply that thething we are looking at is lit up, and its depths revealed. The admirable Tibby and the exquisite Mrs.
His old maids, his clergy,are the most lifelike we have had since Jane Austen laid down the pen.
Isthat why you prefer the middlebrow version of what they have theimpudence to call real humanity?
Such moments of disillusionment havethe habit of coming when Mr. IVMany years passed before A PASSAGE TO INDIA appeared. The house is still the house of the Britishmiddle classes. Forstersgifts differently and to restrict him to write comedy only. IVMany years passed before A PASSAGE TO INDIA appeared. It is a relief, for atime, to be beyond the influence of Cambridge. I go to my wardrobe and consider, ratherlugubriously, what is the right thing to wear?
That is why, if I could be more of ahighbrow I would. We qualify these statements,for indeed we are not quite sure whether we have guessed aright. This brings me to another point which is also surprisingly overlooked. They are subject to changes of opinion;opinions change as the times change. Then I dislike bound volumes of the classics behind plate glass. Had Florence Nightingale received the Order of Merit in herbedroom or in her sitting room?
One slim volume indeed contains all that he has allowed himself of purefantasy.
Again we have thesense that there is some perversity in Mr.

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