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Re: faces `compilation-info' and `compilation-line-number'
From: |
John Yates |
Subject: |
Re: faces `compilation-info' and `compilation-line-number' |
Date: |
Tue, 15 Feb 2011 23:02:26 -0500 |
On Thu, Feb 3, 2011 in "Eliminating a couple of independent face
definitions" Stephen J. Turnbull wrote:
> The basic problem is that faces are not colors. Faces are not fonts.
> (Where have I heard this before? ;-) A face is a semantic component,
> intended to express meaning. Common meanings should have a common
> expression.
Somewhat incoherently I attempted to introduce another perspective.
On reflection my mistake seems to have been to take issue with
Stephen's definition of a face. What I had wanted to show is that
users often customize faces for reasons other than semantic
consistency. That they use faces as a poor man's substitute for the
theming capability present in many GUI frameworks.
This new thread hinges not on aligning semantics but on which elements
in a given setting merit more or less visual emphasis. That was
exactly the perspective I tried to capture in my earlier posting.
I have come to think that what emacs lacks is a palette framework. I
imagine the palette framework as a partial order of degrees of
emphasis. For lack of a better term I will call the members of this
partial order roles. This ordering relationship would be captured in
the role names. Thus we might have
garish
strident-2
strident-1a, strident-1b
emphasis-2
emphasis-1a, emphasis-1c, emphasis-1c
normal
deemphasis-1a , deemphasis-1b
deemphasis-2
(High lighting probably belongs in this list by I am not sure exactly where.)
Emacs would provide style guidance for the palette roles. E.g. garish
applies to a limited span (a word or token, not the better part of a
line); strident-1a/b are appropriate for entire lines.
An actual palette is realized by associating with each role:
- a basic foreground/background color pair
- a font modification rule. Examples: base, bold else base, italic
else underline else base
Notice that a palette is less than a face because it is not associated
with a font or font family. Applying a palette to a font family would
result in a basic set of faces (e.g. palette-garish,
palette-strident-2, palette-normal, etc). These faces could then form
the basis for a set of derived faces that would introduce a base set
of semantic notions.
/john