Re: Barre de reprise unique dans conducteur

[bameylan]

Merci pour ta solution, mais je ne peux même pas voir le résultat: la
partoche ne comporte plus de retour à la ligne et même les \break n'ont
aucun effet... 

Voici mon code:

\version "2.17.9"

\header {
  tagline = ##f
}

\paper {
  line-width = 18.0 \cm
  system-system-spacing =  #'(
(padding . 10)
(space . 1)
(minimum-distance . 0)
(stretchability . 5))
  ragged-last-bottom = ##f
  top-margin = 1.5\cm
  bottom-margin = 1.5\cm
  markup-system-spacing = #'(
                (basic-distance . 0)
                (padding . 5)
                % (stretchability . 5)
                % (minimum-distance . 0)
                )
}

#(set-global-staff-size 18)
%\pointAndClickOff

\defineBarLine ":||" #'(":||" #f " ||") 
%\defineBarLine "||:" #'(":||" "||:" " ||") 
%\defineBarLine ":||" #'(":||" "||:" " ||") 
%\defineBarLine ":||:" #'(":||" "||:" " ||") 

global = {
  \key c \major
  \time 4/4
  \override Staff.Custos #'style = #'mensural
  \once \override Staff.TimeSignature #'stencil = #ly:text-interface::print 
  \once \override Staff.TimeSignature #'text = \markup "C" 
  \override Score.TimeSignature #'font-name = #"LTC Metropolitan Pro"
  \override Score.TimeSignature #'font-size = #2
  \once \override Staff.TimeSignature #'Y-offset = #-0.9
}

violinI = \relative c'' {
  \global
  r4 e8 a gis e r e, e4 r16 a' g a fis fis e fis b, g' fis! g e fis g a
fis8. fis16 e4 r16 a g a 
  f d c d b gis' fis gis e8[ a] a8. gis!16 a4 \bar ":||" 
  
}

violinII = \relative c'' {
  \global
  r16 e d e c8 a r b e c b4 r8 c a4 r16 b a b g8 c b16 b' a b gis8 e r4 r16
b' a b gis8 b, c16 e d c b8. b16 a4
  \bar "||"
  
}

viola = \relative c' {
  \global
  r2 r4 e8 a gis e r a d,4 r8 d e e e8. dis16 e4 r16 c' b c d4 r8 b e,4 e e
\bar "||"
  
}

bcMusic = \relative c {
  \global
  r2 r16 e' d e c8 a e'16 e, d e c8 a r16 d c d g,8 g' c b16 a b8 b, e16 e'
d e c8 a d d, r16 e d e c8[ a] e' e, a4 
  \bar "||"
}

bcFigures = \figuremode {
  \global
  \override Staff.BassFigureAlignmentPositioning #'direction = #UP
  \override Staff.BassFigure #'font-name = #"LTC Metropolitan Pro"
  \override Staff.BassFigure #'font-size = # 1
  s2 s16 <_+> s8 <6>4 s <6> s16 <_+>16 s8 s4 s2 <_+>4 <6> <6> s16 <_+>16 s8
<6>4
  
}

violinIPart = \new Staff \violinI

violinIIPart = \new Staff \violinII

violaPart = \new Staff { \clef alto \viola }

bassoContinuoPart = \new Staff { \clef bass << \bcMusic \bcFigures >> }

\score {
  \new ChoirStaff \with {\override StaffSymbol #'thickness = #1.75 }
  <<
    \violinIPart
    \violinIIPart
    \violaPart
    \bassoContinuoPart
  >>
}

\layout {
    \context {\Lyrics 
      \override LyricText #'font-name = #"LTC Metropolitan Pro"
      \override LyricText #'font-size = #1.5
    }
    
    \context {
      \Score
      \override BarNumber #'break-align-symbols = #'(clef left-edge
staff-bar)
      \override BarNumber #'self-alignment-X = #CENTER
      \override BarNumber #'font-name = #"Berenis ADF Med Bold Italic"
      \override BarNumber #'padding = #1.0
      \override SpacingSpanner #'uniform-stretching = ##t
      \remove "Bar_engraver" 
      \remove "Default_bar_line_engraver" 
      \remove "Timing_translator" 
     }
     \context {
      \Staff 
      \consists Custos_engraver\consists "Bar_engraver" 
      \consists "Default_bar_line_engraver" 
      \consists "Timing_translator" 
    }
   }



-----
Cordialement

Bernard
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