\version "2.18.2" \include "LilyJAZZ.ily" \include "ignatzek-jazz-chords.ily" \header { title = "Ain't Music," subtitle = "a subtitle," subsubtitle = "another subtitle." composer = "A Composer" arranger = "An Arranger" poet = "A Poet" } \score { \new StaffGroup << \new Staff \relative c' { \jazzOn \set countPercentRepeats = ##t \key bes \major \numericTimeSignature % Real book option : \override Score.BarNumber.stencil = ##f \mark\jazzTempoMarkup Tempo c4. "60" \repeat percent 7 { 4 4 4 4 | } \override Score.KeySignature.break-visibility = #all-invisible \override Score.Clef.break-visibility = #all-invisible \break \relative c'' \repeat percent 2 { \ottava #1 \set Staff.ottavation = \markup\override #'(font-name . "LilyJAZZText") "8a Alta" 4 \mp \< 4 4 4 \! | 4 \mf \> \ottava #0 4 4 4 \! | } s } \new Staff { \jazzOn \set countPercentRepeats = ##t \clef F \numericTimeSignature \key bes \major \repeat percent 7 { 4 4 4 4 | } \repeat percent 2 { 4 4 4 4 | 4 4 4 4| } s } >> \header { piece = "A Piece" opus = "Op.1" } \layout { ragged-last = ##t } } \score { << \new ChordNames \chordmode { d1:7 s c:7/d s } \new Voice \with { \consists "Pitch_squash_engraver" } { \jazzOn \set Staff.instrumentName = #"Guitar" \clef "G_8" \key d \major \mark\markup "(Bright Latin)" \numericTimeSignature \set fingeringOrientations = #'(left) \once \override Score.BreakAlignment.break-align-orders = #(make-vector 3 '(instrument-name left-edge ambitus breathing-sign clef key-signature time-signature staff-bar custos)) \once \override Staff.TimeSignature.space-alist = #'((first-note . (fixed-space . 2.0)) (right-edge . (extra-space . 0.5)) ;; free up some space between time signature ;; and repeat bar line (staff-bar . (extra-space . 1))) \bar "[|:" \improvisationOn \override Voice.Stem.stencil = ##f \repeat volta 2 { \repeat unfold 14 { c4 } \improvisationOff \override Voice.Stem.stencil = ##t r8 4 8 } \bar ":|]" s } >> \header { piece = "C'Est What" } \layout { ragged-right = ##t indent = 10 } } \layout { \context { \Score metronomeMarkFormatter = #jazz-metronome-markup } } \relative c'' { \jazzOn \time 2/2 \compressFullBarRests R1*2 | R1*5 | R1*9 \override MultiMeasureRest #'expand-limit = #3 R1*2 | R1*5 | R1*9 } %=> http://lsr.di.unimi.it/LSR/Item?id=753 ExampleMusic = { \jazzOn \numericTimeSignature \time 2/2 \override Score.MultiMeasureRest.minimum-length = #20 \inlineMMRN R1*4 \inlineMMRN R1*6 \inlineMMRN R1*8 \inlineMMRN R1*2 } { \set Score.skipBars = ##t \override Score.MultiMeasureRest.expand-limit = 1 \ExampleMusic } % Harm's test %=> http://lilypond.1069038.n5.nabble.com/RE-Problems-with-LilyJAZZ-ily-td152000.html << %% "Text_engraver" is inserted for some comments only, delete it %% and \notemode { ... } \new ChordNames \with { \consists "Text_engraver" } \chordmode { c2:5- d:sus4.9+ e f g a \notemode { s^\markup \fontsize #-3 "Some crazy testing:" } b:m5-.6+.7.9-.11+.13+ } \new Staff \relative c' { \jazzOn \key cis\major ces dis e f g a b b } >> \new Staff \new Voice \with { \consists "Pitch_squash_engraver" } \relative c' { \jazzOn \numericTimeSignature \override Score.MetronomeMark.font-name = "LilyJAZZText" \tempo "Tempo 1" 16=120-140 e8 e g a a16( bes) a8 g \improvisationOn e8 ~ \tempo "Tempo 2" 32 = 168 e2 ~ e8 f4 f8 ~ f1 ~ f2 \improvisationOff \override Score.MetronomeMark.font-name = "Purisa" \set Score.metronomeMarkFormatter = #my-format-metronome-markup \tempo "Tempo 1" 32=180-200 a16( bes) a8 g e \jazzOff } \score { \new Staff { \jazzOn \override Score.MetronomeMark.font-name = "LilyJAZZText" \tempo "Slowly" 2 = 60 c'1 } }