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Then he may copy from some good master, to accustom himselfto fine forms.
The
two halves ofthe leaf form but one in the original.
_ 536-569_), are followed
by thetheory of light and shade for the practical method of optics (Nos. THAT A
PAINTER IS NOT ADMIRABLE UNLESS HE IS UNIVERSAL. A WAY OF DEVELOPING AND
AROUSING THE MIND TO VARIOUS INVENTIONS. And ifyou must have companions ship
find it in your studio.
89; his reading however variesslightly from mine. 149)
is expressly called _orizonte_ in writing.
Both the cloud and the tree display
no roundness at all on theirshaded side.
THAT A PAINTER IS NOT ADMIRABLE UNLESS
HE IS UNIVERSAL.
and which ismore difficult to do outlines or light and shade?
HOW TO LEARN TO PLACE YOUR FIGURES CORRECTLY.
Then see for a time the works of
various masters.
THAT THE LIGHT FOR DRAWING FROM NATURE SHOULD BE HIGH UP.
and
thispassage explains, at least in part, the peculiarities in theirarrangement.
Nature has beneficently provided that throughout the world you mayfind
something to imitate.
and thispassage explains, at least in part, the
peculiarities in theirarrangement. The fact that this arrangement was
nevercarried out either in the old MS.
And this will be the way to win honour
in yourart. 486 remains unanswered by himand it seems to me very doubtful
whether the opinion stated in No.
OF THE PAINTERS WINDOW AND ITS ADVANTAGE.
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