[Gzz-commits] manuscripts/xupdf article.rst

[Janne V. Kujala]

CVSROOT:        /cvsroot/gzz
Module name:    manuscripts
Changes by:     Janne V. Kujala <address@hidden>        03/02/15 09:34:59

Modified files:
        xupdf          : article.rst 

Log message:
        move nasa fig closer to first ref

CVSWeb URLs:
http://savannah.gnu.org/cgi-bin/viewcvs/gzz/manuscripts/xupdf/article.rst.diff?tr1=1.131&tr2=1.132&r1=text&r2=text

Patches:
Index: manuscripts/xupdf/article.rst
diff -u manuscripts/xupdf/article.rst:1.131 manuscripts/xupdf/article.rst:1.132
--- manuscripts/xupdf/article.rst:1.131 Sat Feb 15 09:20:05 2003
+++ manuscripts/xupdf/article.rst       Sat Feb 15 09:34:59 2003
@@ -161,6 +161,17 @@
 a label is placed on the margin and a line is drawn to the relevant
 point in the image. XXX See Fig. [ref-fignasa]_.
 
+.. figure:: mercury5part2
+   :width: 8.45cm
+   :label: fignasa
+
+   An example of *buoy*-like annotation and *break lines* in a 
+   NASA diagram for for the Mercury 5:
+   labels are placed in the margin and 
+   connected to the relevant points in the image; 
+   freehand lines are drawn to indicate that 
+   the depicted object extends beyond the shown section.
+
 Free form 'digital ink' annotation 
 (e.g., XLibris [schilit98digital]_, iMarkup[XXref]) 
 allow cross-cutting connections inside a single document.
@@ -398,7 +409,7 @@
 
 As the textures are intended for distinguishing
 *similar* nodes, their appearance should not be made to reflect 
-any attributes of the content.
+any features of the content.
 Instead, the texture should only depend on a permanent identity
 of the node.
 That way, the textures in any view are similar only by chance
@@ -465,17 +476,6 @@
 diagram. It is visually clear since it uses a shape that
 is obviously not a part of the object's own shape
 (wiggly freehand line), see Fig. [ref-fignasa]_.
-
-.. figure:: mercury5part2
-   :width: 8.45cm
-   :label: fignasa
-
-   An example of *buoy*-like annotation and *break lines* in a 
-   NASA diagram for for the Mercury 5:
-   labels are placed in the margin and 
-   connected to the relevant points in the image; 
-   freehand lines are drawn to indicate that 
-   the depicted object extends beyond the shown section.
 
 We apply this technique by drawing the buoys as 
 non-photorealistically torn-off pieces of the target document.