Re: Jazz chords above slash notation

[Kieren MacMillan]

Hi Robin,

> If you need to do a lot of these polychords, you may be better off using two 
> ChordNames contexts.

Oof… Is that really the state of things? Let’s get some syntactic sugar for 
polychords so nobody has to go through all that (not to mention how it abuses 
contexts)!

Any reason why we can’t have something like

   \polychord { d1:m7 } { b:7 }

that just Does The Right Thing™??

Happy to try to build this function myself, if there aren’t any obvious 
problems with the concept.

Thanks,
Kieren.
________________________________

Kieren MacMillan, composer (he/him/his)
‣ website: www.kierenmacmillan.info
‣ email: kieren@kierenmacmillan.info