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Re: tie over clef change
From: |
David Kastrup |
Subject: |
Re: tie over clef change |
Date: |
Sun, 27 Sep 2020 22:05:03 +0200 |
User-agent: |
Gnus/5.13 (Gnus v5.13) Emacs/28.0.50 (gnu/linux) |
Kevin Barry <barrykp@gmail.com> writes:
>> Both cases were discussed. For an orchestra they are not the same
> pitch, thus formally a slur.
>
> You cannot make this assumption. It is exceptional to distinguish D
> sharp and E flat since most performed orchestral music is equally
> tempered. It is common, for example, for a composer to write D sharp
> for some instruments and E flat for others.
Distinguishing D♯ from E♭ formally when some instruments are written in
transposing keys is also a recipe for trying to read more into the
intonation than the composer was intent rather than forced to place
there.
--
David Kastrup
- Re: tie over clef change, (continued)
- Re: tie over clef change, Lukas-Fabian Moser, 2020/09/28
- Re: tie over clef change, Hans Åberg, 2020/09/27
- Re: tie over clef change, David Kastrup, 2020/09/27
- Re: tie over clef change, Hans Åberg, 2020/09/27
- Re: tie over clef change, Kevin Barry, 2020/09/27
- Re: tie over clef change, Hans Åberg, 2020/09/27
- Re: tie over clef change, Werner LEMBERG, 2020/09/27
- Re: tie over clef change, Hans Åberg, 2020/09/27
- Re: tie over clef change, Lukas-Fabian Moser, 2020/09/27
- Re: tie over clef change, Hans Åberg, 2020/09/28
- Re: tie over clef change,
David Kastrup <=
- Re: tie over clef change, Aaron Hill, 2020/09/26
Re: tie over clef change, Jean Abou Samra, 2020/09/26
Re: tie over clef change, Andrew Bernard, 2020/09/26
Re: tie over clef change, Jean Abou Samra, 2020/09/26
Re: tie over clef change, Hans Åberg, 2020/09/26
Re: tie over clef change, Jean Abou Samra, 2020/09/27